With plan in hand to walk - (new work hot off my keyboard - written just now)
several hundred kilometers to the end of the world
I reflect in an infinitely faceted mirror
on what I will lose more than some of the weight of all
my flesh and bone but more like more than the weight
of this built bone and flesh social construct that holds
water well except in a boiling summer—that projects
my image from the inside—an image generated
from all data and all sensation gathered from outside
and fed through the fulling mills perceived by
the Knight of the Rueful Countenance and even
also by his loyal reality-bound squire Sancho Panza
to be large and menacing and evil unknowns terrorizing
even the brave and noble heart of the Sad Knight.
And the very act of putting foot in front of foot
timed to breaths in and out will be the very act
that tears this construct down and that shows the fulling mills
to be only fulling mills and all becomes quiet in the sound
of wind through the plane trees and through the old stone remnants
of some ancient monastery that meditates on its own
having succumbed to time and to the harsh clime of the meseta. . .
having succumbed to time and to the harsh clime of the meseta. . .
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